Her inimitable style of singing, the haunting sweet notes with which she mesmerised the audience, her uncanny ability to choose the right kind of ghazal has left an indelible print on the minds of those who got a chance to listen to this great exponent.” Soon she was the most fancied voice for ghazal gayaki.Īt the launch of a book called Begum Akhtar-The Story of my Ammi on the legendary singer, Gursharan Kaur, wife of then Prime Minister of India, Dr Manmohan Singh, had said: “She is rightly known as Mallika-e-Ghazal. In no time, her good looks and silken and sensitive voice would take her places. Her first public performance, aged only 15, was in front of freedom fighter Sarojini Naidu. As a child, Begum Akhtar or Akhtari Bai Faizabadi, began her classical music training rather early as she reportedly showed sparks even as a kid, captivated by the music of Chandra Bai, a touring theatre artist of the day. She was rightly called the ‘Mallika-e-Ghazal’.īorn in 1914, she came to be associated with Hindustani classical music, excelling in ghazal, dadra, and thumri. Her musical tradition was so unique that she came to be associated with her own distinct style of singing. The legendary Begum Akhtar was a doyen of Hindustani classical music, particularly in the ghazal genre.
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